Saturday, January 4, 2020

Sexism In Oedipus The King - 1395 Words

Sophocles’ Theban tragedy, Oedipus the King, is not sexist. The prominent play portrays both men and women justly. The events presented by Sophocles exemplifies a level of admiration and respect for women that was not ordinary in ancient Greece. This is predominantly achieved through the dialogue of Jocasta and Oedipus, illustrating a corresponding relationship. In addition, the behavior of Jocasta, analysis of other literature, as well as the bad fortune of the male characters reaffirm that the Oedipus the King is not sexist. In the play, the interactions between Jocasta and Oedipus depicts an egalitarian relationship. Throughout the play, Jocasta avoids many societal customs with her tendency to assert herself in the affairs of men.†¦show more content†¦In addition, during this period female babies were much more likely to be abandoned at birth. Contrary to this, Oedipus was abandoned as an infant by Jocasta. In addition to the love that Oedipus has for the women in his life, in a monumental scene at the end of the play Oedipus cries out to his daughters and blindly embraces them. In this scene, Oedipus helplessly wails about the hardships that his daughters will soon face without once mentioning the fate of his two sons. Moreover, during this time men were known for having extramarital affairs by fulfilling their sexual desires while women were expected to remain faithful. In the play, there are no mentions of another lover of Oedipus. Additionally, it was not normal for men to socialize with their wives. Despite this being the norm, Oedipus finds comfort in talking to Jocasta. Oedipus confides in Jocasta, showing vulnerability towards a woman. Pietro Pucci states in his book Oedipus and the Fabrication of the Father, â€Å"Oedipus tells Jocasta how he was shaken by the rumor that he was illegitimate and how he secretly ran to Delphi to seek Apollo’s reassurance that he was the legitimate child of his parents, Polybus and Merope† (16). Scenes from the play reaffirm that Oedipus is humbled by the presence of Jocasta. Oedipus state, â€Å"I’ll tell you everything I fear. No one has more right than you do, to know the risks to which I’m now exposed† (Sophocles 898-890). Even after Oedipus finds JocastaShow MoreRelatedTheme Of Irony In Oedipus The King827 Words   |  4 PagesThe presence of irony in â€Å"Myth† by Muriel Rukeyser, â€Å"My Oedipus Complex† by Frank O’Connor, and â€Å"Oedipus the King† by Sophocles link these three literary pieces together. However, each of the works utilize different forms of irony in different levels to specifically present their message. In Rukeyser’s short poem, the narrator uses verbal irony through Oedipus’ conversation with the Sphinx and dramatic irony through Oedipus’ shorthanded conclusions. O’Connor uses situational irony in his short storyRead MoreIncest and Sexism in Hamlet1022 Words   |  5 PagesIn my readings of Hamlet, sexism was a immense element in the story. It is not fairly unambiguous where the incest comes in and who is involved, but the unorthodox relationships that have taken place shows how things were during the Elizabethan Age, or were they? My goal in this paper is to research the gender roles between the males and females in the story and to prove how women were treated during these times, and to determine who was involved in incest and sexism. The characters in focus willRead MoreAntigone - Paper 131697 Words   |  7 PagesGreek drama was written in such a way that the characters are the pivotal aspect of the play. The main characters in Sophocles’ epic play, Antigone, are both very strong personalities, which naturally leads to conflict. Antigone and King Creon both have very intense beliefs and roles in this play that oppose each other, and although there is a family tie, will lead to an imminent tragedy. Antigone is a young women w ho believes in the loyalty of her family and fears no one and nothing. She is willingRead MoreKing Lear Character Analysis1196 Words   |  5 Pagesanonymously written play, King Leir, published on May 15, 1594. In the play, the single father, King Leir, was betrayed by his two oldest daughters as he realizes that they do not love him. â€Å"He fled the land, and sailed to Gallia, there to seek some comfort of his youngest daughter Cordeilla, whom before he hated† (Holinshed: Chronicles). Out of all of his children, he favored his youngest Cordeilla due to her â€Å"motherly† personality of caring and love for him. 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